Examples of Successful Statements
Below are samples of personal statements. You may also select "Sample Statement" in the Media Box above for a PDF sample.
My interest in science dates back to my years in high school, where I excelled in physics, chemistry, and math. When I was a senior, I took a first-year calculus course at a local college (such an advanced-level class was not available in high school) and earned an A. It seemed only logical that I pursue a career in electrical engineering.
When I began my undergraduate career, I had the opportunity to be exposed to the full range of engineering courses, all of which tended to reinforce and solidify my intense interest in engineering. I've also had the opportunity to study a number of subjects in the humanities and they have been both enjoyable and enlightening, providing me with a new and different perspective on the world in which we live.
In the realm of engineering, I have developed a special interest in the field of laser technology and have even been taking a graduate course in quantum electronics. Among the 25 or so students in the course, I am the sole undergraduate. Another particular interest of mine is electromagnetics, and last summer, when I was a technical assistant at a world-famous local lab, I learned about its many practical applications, especially in relation to microstrip and antenna design. Management at this lab was sufficiently impressed with my work to ask that I return when I graduate. Of course, my plans following completion of my current studies are to move directly into graduate work toward my master's in science. After I earn my master's degree, I intend to start work on my Ph.D. in electrical engineering. Later I would like to work in the area of research and development for private industry. It is in R & D that I believe I can make the greatest contribution, utilizing my theoretical background and creativity as a scientist.
I am highly aware of the superb reputation of your school, and my conversations with several of your alumni have served to deepen my interest in attending. I know that, in addition to your excellent faculty, your computer facilities are among the best in the state. I hope you will give me the privilege of continuing my studies at your fine institution.
(Stelzer pp. 38-39)
Having majored in literary studies (world literature) as an undergraduate, I would now like to concentrate on English and American literature.
I am especially interested in nineteenth-century literature, women's literature, Anglo-Saxon poetry, and folklore and folk literature. My personal literary projects have involved some combination of these subjects. For the oral section of my comprehensive exams, I specialized in nineteenth century novels by and about women. The relationship between "high" and folk literature became the subject for my honors essay, which examined Toni Morrison's use of classical, biblical, African, and Afro-American folk tradition in her novel. I plan to work further on this essay, treating Morrison's other novels and perhaps preparing a paper suitable for publication.
In my studies toward a doctoral degree, I hope to examine more closely the relationship between high and folk literature. My junior year and private studies of Anglo-Saxon language and literature have caused me to consider the question of where the divisions between folklore, folk literature, and high literature lie. Should I attend your school, I would like to resume my studies of Anglo-Saxon poetry, with special attention to its folk elements.
Writing poetry also figures prominently in my academic and professional goals. I have just begun submitting to the smaller journals with some success and am gradually building a working manuscript for a collection. The dominant theme of this collection relies on poems that draw from classical, biblical, and folk traditions, as well as everyday experience, in order to celebrate the process of giving and taking life, whether literal or figurative. My poetry draws from and influences my academic studies. Much of what I read and study finds a place in my creative work as subject. At the same time, I study the art of literature by taking part in the creative process, experimenting with the tools used by other authors in the past.
In terms of a career, I see myself teaching literature, writing criticism, and going into editing or publishing poetry. Doctoral studies would be valuable to me in several ways. First, your teaching assistant ship program would provide me with the practical teaching experience I am eager to acquire. Further, earning a Ph.D. in English and American literature would advance my other two career goals by adding to my skills, both critical and creative, in working with language. Ultimately, however, I see the Ph.D. as an end in itself, as well as a professional stepping stone; I enjoy studying literature for its own sake and would like to continue my studies on the level demanded by the Ph.D. program.
(Stelzer pp. 40-41)
Notice how each of these objects are objective correlatives for the writer’s family. Taken together, they create an essence image.
Quick: What essence image describes your family? Even if you have a non-traditional family–in fact, especially if you have a non-traditional family!–what image or objects represents your relationship?
Based on the image the writer uses, how would you describe her relationship with her family? Close? Warm? Intimate? Loving? Quiet? But think how much worse her essay would have been if she’d written: “I have a close, warm, intimate, loving, quiet relationship with my family.”
Instead, she describes an image of her family "huddled in front of the fireplace while drinking my brother’s hot cocoa and listening to the pitter patter of rain outside our window.” Three objects--fireplace, brother’s hot cocoa, sound of rain--and we get the whole picture of their relationship. We know all we need to know.
There’s another lesson here:
Principle #2: Engage the reader’s imagination using all five senses
This writer did. Did you notice?
- Fireplace (feel)
- Brother’s hot cocoa (taste, smell)
- Pitter patter of rain (sound)
- Biggest photograph (sight)
And there’s something else she did that’s really smart. Did you notice how clearly she set up the idea of the scrapbook at the beginning of the essay? Look at the last sentence of the second paragraph (bolded below):
Cutting the first photograph, I make sure to leave a quarter inch border. I then paste it onto a polka-dotted green paper with a glue stick. For a sophisticated touch, I use needle and thread to sew the papers together. Loads of snipping and pasting later, the clock reads three in the morning. I look down at the final product, a full spread of photographs and cut-out shapes. As usual, I feel an overwhelming sense of pride as I brush my fingers over the crisp papers and the glossy photographs. For me, the act of taking pieces of my life and putting them together on a page is my way of organizing remnants of my past to make something whole and complete.
The sentence in bold above is essentially her thesis. It explains the framework for the whole essay. She follows this sentence with:
This particular project is the most valuable scrapbook I have ever made: the scrapbook of my life.
Boom. Super clear. And we’re set-up for the rest of the essay. So here’s the third thing we can learn:
Principle #3: The set-up should be super clear
Even a personal statement can have a thesis. It’s important to remember that, though your ending can be somewhat ambiguous—something we’ll discuss more later—your set-up should give the reader a clear sense of where we’re headed. It doesn’t have to be obvious, and you can delay the thesis for a paragraph or two (as this writer does), but at some point in the first 100 words or so, we need to know we’re in good hands. We need to trust that this is going to be worth our time.
Principle #4: Show THEN Tell
Has your English teacher ever told you “Show, don’t tell?” That’s good advice, but for a college essay I believe it’s actually better to show THEN tell.
Why? Two reasons:
1.) Showing before telling gives your reader a chance to interpret the meaning of your images before you do. Why is this good? It provides a little suspense. Also, it engages the reader’s imagination. Take another look at the images in the second to last paragraph: my college diploma... a miniature map with numerous red stickers pinpointing locations all over the world... frames and borders without photographs... (Note that it's all "show.")
As we read, we wonder: what do all these objects mean? We have an idea, but we’re not certain. Then she TELLS us:
That second page is incomplete because I have no precise itinerary for my future. The red flags on the map represent the places I will travel to, possibly to teach English like I did in Cambodia or to do charity work with children like I did in Guatemala. As for the empty frames, I hope to fill them with the people I will meet: a family of my own and the families I desire to help, through a career I have yet to decide.
Ah. Now we get it. She’s connected the dots.
2.) Showing then telling gives you an opportunity to set-up your essay for what I believe to be the single most important element to any personal statement: insight.
Principle #5: Provide insight
What is insight? In simple terms, it’s a deeper intuitive understanding of a person or thing.
But here’s a more useful definition for your college essay: Insight is something that you’ve noticed about the world that others may have missed. Insight answers the question: So what? It's proof that you’re a close observer of the world. That you’re sensitive to details. That you’re smart.
And the author of this essay doesn’t just give insight at the end of her essay, she does it at the beginning too: she begins with a description of herself creating a scrapbook (show), then follows this with a clear explanation for why she has just described this (tell).
Final note: it’s important to use insight judiciously. Not throughout your whole essay; a couple times will do.
So what can you steal from this for your essay?
- Principle #1: Use objects and images instead of adjectives
- Principle #2: Engage the reader’s imagination using all five senses
- Principle #3: The set-up should be super clear
- Principle #4: Show THEN Tell
- Principle #5: Provide insight